“Making art is a way of remembering what has been forgotten—our kinship with nature, the symbolic dimensions of existence, and the ways of knowing that modern life often obscures.” — Talitha Maranila

Talitha Maranila (b. 1990, Jakarta, Indonesia) is multidisciplinary a artist whose practice investigates how modern systems of knowledge shape human perception and contribute to an increasing separation between humans and the living world. Working across painting, sculpture, and site-specific installation, she creates immersive environments that explore alternative ways of sensing, relating, and understanding reality.

Her work emerges from an ongoing inquiry into the relationship between perception, ecological consciousness, and cultural memory. Drawing from Javanese cosmology, contemplative traditions, and observations of the natural world, Maranila examines forms of knowledge that have historically existed beyond dominant rational and extractive frameworks. Rather than positioning these traditions as remnants of the past, she approaches them as living and evolving sources of insight for navigating contemporary ecological, cultural, and existential challenges.

Central to her practice is an exploration of the symbolic languages embedded within nature—patterns, cycles, phenomena, and relationships that have long served as conduits between human consciousness and the more-than-human world. Through light, reflection, transparency, abstraction, and material experimentation, she creates works that invite viewers to reconsider habitual modes of perception and encounter alternative ways of knowing grounded in interdependence and embodied experience.

Influenced by both scientific observation and spiritual inquiry, Maranila approaches art as a site of research, where intuition and observation, material and immaterial realities, can coexist. Her installations often function as contemplative spaces that encourage reflection on humanity's place within larger ecological and cosmological systems. her practice explores how forgotten and marginalized ways of knowing may contribute to imagining more reciprocal relationships between humans, nature, and the future. Through her work, she seeks not a return to the past, but the possibility of reactivating forms of perception capable of responding to the complexities of the present. She has exhibited internationally, including in Switzerland, Berlin, Hong Kong, China, and the Philippines, as well as throughout Indonesia. She lives and works in Jakarta and Bali, Indonesia.